In this class, we will break down the casting processes for episodic TV (including Series Regulars), studio features, and independent film. You'll learn how the process works for the people making the decisions---and who it is that's making them (it's different in different mediums!) We will answer all your questions about how casting works behind the scenes and demystify the process so that you can become a more empowered actor and a more attractive collaborator.
Date: Sunday, March 12th 2017
Location: AGR, 15 West 28th Street, 9th Floor, NYC 10001
Capacity: 40 students total
Ages: 16 and up
For most actors, casting is the most emotionally charged, mysterious part of the creative process. We hustle to get auditions, rejoice when they come through and agonize when they don't, prep hard to bring our best work into the room.....and the rest is a mystery. How do CDs decide what actors to bring in? What determines whether you go to producers (for TV) or the director (for a film)? Who do the producers and directors have to answer to (even they have bosses!), how long does it take the creatives to make casting decisions, and what are they basing those decisions on? Do people even watch self-tapes? How many sessions do CDs have for each role? How many people are they bringing in? What are they looking for in the room? The nuts and bolts of the casting process are totally mysterious to most actors, and that information void can make us feel neurotic, nervous and disempowered. But knowledge is power. Understanding the process of casting from the point of view of casting directors, directors and producers will free you, empower you, and give you tools to be a better collaborator, bring your best work into the room, know what to expect afterward, and build more positive relationships with CDs and creatives. In this class, we will break down the casting processes for episodic TV (including Series Regulars), studio features, and independent film. You'll learn how the process works for the people making the decisions---and who it is that's making them (it's different in different mediums!) We will answer all your questions about how casting works behind the scenes and demystify the process so that you can become a more empowered actor and a more attractive collaborator.
Wait List Policy
If a class is sold out, you can sign up for a spot on the wait list.
If a spot opens, the wait list is notified via email and the spot is sold on a first come, first served basis.
If you do not get the spot, you do not need to rejoin the wait list.
We do not offer refunds, but we do offer credit. Cancellations must be made 7 days or more in advance of a class, event, or intensive in order to receive a credit. You can cancel the class online in our booking system or via email.
Unless otherwise noted, if you cancel within 7 days of the class, event, or intensive due to sickness or industry related work, we require a doctor's note or proof of work in order to issue a credit.
Cancellations within 24 business hours of the class, event, or intensive and/or no-shows will NOT be credited under any circumstance. For example, if your class is on Sunday, you must cancel before the end of business on Friday.
Jessica Blank is an actor, writer, director and producer. With her husband Erik Jensen, she is author of THE EXONERATED, a play based on interviews they conducted with over 40 wrongfully convicted death row inmates across the United States. THE EXONERATED won Lucille Lortel, Outer Critics Circle, Drama Desk, Ovation, Fringe First and Herald Angel Awards; it has also received awards from Amnesty International, the American Bar Association, the National Association of Criminal Defense Lawyers, Death Penalty Focus, and Court TV, and was listed by the New York Times as "the number 1 play of the year." It was made into an award-winning movie adapted by Jessica and Erik, starring Susan Sarandon, Danny Glover, Brian Dennehy, Aidan Quinn and Delroy Lindo. Their documentary play AFTERMATH, directed by Jessica, opened New York Theater Workshop’s 2009-10 Off-Broadway season to rave reviews, was a New York Times Critics’ Pick, toured internationally for two years and was nominated for two Drama League Awards. Their new play, HOW TO BE A ROCK CRITIC (based on the writings of Lester Bangs), under commission at CTG, was workshopped at the Public Theater and the La Jolla Playhouse and recently completed a sold-out run at the Kirk Douglas Theater and South Coast Rep, with Erik starring and Jessica directing.
Jessica and Erik are currently writing the pilot THE NEGOTIATOR for Gaumont TV (exec producer Tom Fontana); they have developed for television with Fox TV Studios, 20th Century TV, Avenue Pictures, Sunswept Entertainment, Virgin Produced, and Radical Media. They currently have a feature in development with Cary Brokaw/Avenue Pictures. Jessica's first novel, Almost Home, (Hyperion, 2007) was optioned for feature film with Jessica and Erik adapting and co-directing; the film is slated for production in 2016. Her second novel, Karma for Beginners (Hyperion, 2009) is in development for television with Avenue Pictures, with Jessica and Erik adapting. Her third novel is forthcoming from Penguin in 2016. LIBERTY CITY, a play co-written by Jessica and April Yvette Thompson, was produced Off-Broadway by New York Theater Workshop in 2008 (with Jessica directing), has toured to Miami and elsewhere, and was nominated for Lucille Lortel, Drama Desk, and Outer Critics Circle awards.
As an actor, Jessica appeared regularly as the lead's loudmouthed big sister in CBS' MADE IN JERSEY. Additional TV credits include BLUE BLOODS, ELEMENTARY, THE FOLLOWING, THE MENTALIST, BORED TO DEATH, RESCUE ME, LAW AND ORDER: CI, THE BRONX IS BURNING, HIGH MAINTENANCE and several more. Film acting credits include THE NAMESAKE (dir. Mira Nair), YOU'RE NOBODY TILL SOMEBODY KILLS YOU (prod. Spike Lee), THE EXONERATED, and several indies including CREATIVE CONTROL (Grand Jury Prize, SXSW 2015) and ON THE ROAD WITH JUDAS (Sundance). She has acted in theaters throughout New York City and has five new films coming out in 2015-16, including #HORROR with Timothy Hutton and Chloe Sevigny.